Inception - a thoroughly thought thought about thought

Okay. So there are hundreds of reviews about this movie written by well known and renowned critics, but I feel it is right on my part to write on the movie that I felt was one among the best that I've seen in the last few years. I have been criticising movies one too many and my readers have at times found it disconcerting that I should consistently have a negative take on reviewing the movies. And it is now time to change that perception.

Despite being in a very quiet part of New Jersey, I have had a lot of opportunities (I'm still not sure I've capitalized as much as I should have) for travel and entertainment respites. Theatres in these parts of the country usually run empty and I have an unbeatable record of being the only person to watch a movie thanks to the friend who ditched me and "happened" to miss the train. But that is a different story, and so was the story the day I went to watch the 'Inception'. The theatre ran almost a full house on the opening Friday and the hall did have a huge capacity of about 600. If it were 'Sura' there would have been ample time and patience for the audience to express their emotions and whistle. But, this one was different.

The thing that impressed me the most is the plot. Unlike most other movies that are being produced all around the world left, right and center, the ones that trade off the plot for the cast and action, Inception is woven into the plot as tight as a cocoon's nest. After a long time, I have truly enjoyed a movie because of its ability to derive its strength from the plot. I'm sure it has taken Nolan quite a while to come up with the plot (despite it's obvious ancestral properties from Matrix) and with great care and intricacy. Any less and the movie would not have probably had the same integrity of thought and feature. The concept of lucid dreams and sharing dreams has been out in the world for centuries (I personally know of its existence in one of the ancient Indian scripts - Bhagavat Purana and the oldest surviving text of this script is at least a thousand years old), but it still takes an amazing amount of effort and thought to capture it a 2 hour celluloid. For instance, the fact that your dreams are woven into reality is amazingly casted in form of people losing gravity in the dream when the previous level has people suspended in the air.

With a story of this kind, it is quite easy for people to get carried away with making the movie infinitely complex, but Nolan's effort in making it simple to the viewer yet not lose the value of the concept just amazed me. With the right measure of terminology (limbo, kick, inception) to give it a sci-fi bent, the story has been carved into shape by equally brilliant screenplay. The pace of the movie is just right and keeps the audience always interested in what is happening on screen. If one were to pardon my sense of drawing parallelisms, I'd say Sekhar Kammula comes the closest to this calibre when it comes to screenplay and integrity of thought. I'm sure this movie would go a long way in making Hollywood (and Bollywood, Tollywood, Kollywood, ??llywoods ) appreciate the importance of thought in the inception of a movie. And yes, I still cannot believe how DiCaprio has managed to make such splendid choice of movies. Either, he is really worthy of these, or he should go buy lottery tickets. In either case, he is going to be a billionaire.

There isn't much of a suspense in the plot and leaving the end wide open to audience hardly qualifies as a suspense in my perception. Yet, I shall not be delving into the details of the plot or the storyline, like I usually do. For now, I remain happy and immersed in the ecstasy of seeing a movie that is well scripted and amazing thought out. Unless you are addicted to watching movies like Sura which are perfect antonyms of Inception, I'm sure it will be love at first sight.